000			01927cam a22001818i 4500
999			_c39084 _d39084
020			_a9781138845770
082	0	0	_a770.1 _bROU-
245	0	4	_aThe Routledge companion to photography theory/ _cedited by Mark Durden and Jane Tormey.
260			_aNew York: _bRoutledge, _c2020.
300			_axv,441p.
504			_aIncludes bibliographical references and index.
520			_a"With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process and the interdisciplinary. The implications of what it means to 'see' an image is now understood to encompass, not only the optical, but the conceptual, ethical and haptic experience of encountering an image. The "fractal" is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory - that is the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers and teachers. The volume also features extensive images, including beautiful colour plates of key photographs"--
650		0	_aPhotography _xPhilosophy.
650		0	_aCinematography
700	1		_aDurden, Mark, _eeditor.
700	1		_aTormey, Jane, _eeditor.
942			_2ddc _cBK